![]() Director of Photography Tak Fujimoto explains, "(Jonathan Demme) wanted to give audiences a visual connection between Melvin's room and Marco's mind. Even the visual style supports this internal paranoia with a dearth of tight close-ups and actors talking directly into the camera. It is all staged much like current TV - an invasive presence that runs throughout the film. Or look at the Democratic Convention and celebration party where revelers are frothing at the mouth like Pavlovian dogs willing to believe everything they see. Take for instance the opening scene at the Boy Scout meeting where everyone says all the right things and asks all the right questions of Bennett Marco, a man who served his country in Desert Storm. Even people in the film who do not have brain implants inside them seem to show subtle signs of brainwashing. Jonathan Demme creates a claustrophobic world where parental pressure, societal expectations of normalcy, media bombardment, corporate puppetmasters, and bad science impact the characters. Jonathan Demme's take on The Manchurian Candidate really works on a new level by bringing the paranoid internal conflict of the Bennett Marco (Denzel Washington) character to the forefront and making it the foundation on which the entire film is built. Tina Sinatra released the rights to the film for a remake because she says, "(my father) believed, as we do, that premises can be brought into the future." It's more of a straightforward thriller, whereas the original was an intense psychological melodrama with elements of black comedy. Yet most of the reviews say that the new movie works on its own right and should not be compared to the original. Some cinephiles are asking for the heads of Jonathan Demme, Scott Rudin, and Tina Sinatra on a silver platter for committing such a blasphemous cinematic act. There is no reason to mess with perfection and try to improve upon the original film version of The Manchurian Candidate. ![]() "I'm so sorry they had to mess with something that was so perfect." Film buffs are irate. Remaking classic films for modern audiences feels like a nightmarish act. Why is he bent on destroying these films?īased on message boards, websites, and Angela Lansbury quotes online, it seems people have been having this same dream. Slicing and dicing at will with sprocket holes spewing everywhere. He has been ordered to do so by one of these genteel old ladies, and it is as if he has no control of his actions. Strips of classic films hang from trim bins all around me, and a man begins to mercilessly chop them to pieces with a guillotine blade. ![]() At first it seems very pleasant as I sit with these elderly women at a quaint garden party, but suddenly it turns monstrous. I keep having this very strange recurring dream.
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